Daniel G. Brinton

The passionate love with which the Nahuas cultivated song, music and the dance is a subject of frequent comment by the historians of Mexico. These arts are invariably mentioned as prominent features of the aboriginal civilization; no public ceremony was complete without them; they were indispensable in the religious services held in the temples; through their assistance the sacred and historical traditions were preserved; and the entertainments of individuals received their chief lustre and charm from their association with these arts.

In his second voyage, Columbus heard vague rumors of a mainland westward from Jamaica and Cuba, at a distance of ten days' journey in a canoe. Its inhabitants were said to be clothed, and the specimens of wax which were found among the Cubans must have been brought from there, as they themselves did not know how to prepare it.

I HAVE written this work more for the thoughtful general reader than the antiquary. It is a study of an obscure portion of the intellectual history of our species as exemplified in one of its varieties.

MYTHOLOGY, since it began to receive a scientific handling at all, has been treated as a subordinate branch of history or of ethnology. The "science of religion," as we know it in the works of Burnouf, Muller, and others, is a comparison of systems of worship in their historic development. The deeper inquiry as to what in the mind of man gave birth to religion in any of its forms, what spirit breathed and is ever breathing life into these dry bones, this, the final and highest question of all, has had but passing or prejudiced attention. To its investigation this book is devoted.