Perhaps the Oldest Science Fiction story from the ancient world : preserved to the modern day.
From the Introduction:
Excerpt
Lucian, in Greek Loukianos, was a Syrian, born about the year 120 at Samosata, where a bend of the Euphrates brings that river nearest to the borders of Cilicia in Asia Minor. He had in him by nature a quick flow of wit, with a bent towards Greek literature. It was thought at home that he showed as a boy the artist nature by his skill in making little waxen images. An uncle on his mother's side happened to be a sculptor. The home was poor, Lucian would have his bread to earn, and when he was fourteen he was apprenticed to his uncle that he might learn to become a sculptor. Before long, while polishing a marble tablet he pressed on it too heavily and broke it. His uncle thrashed him. Lucian's spirit rebelled, and he went home giving the comic reason that his uncle beat him because jealous of the extraordinary power he showed in his art.
After some debate Lucian abandoned training as a sculptor, studied literature and rhetoric, and qualified himself for the career of an advocate and teacher at a time when rhetoric had still a chief place in the schools. He practised for a short time unsuccessfully at Antioch, and then travelled for the cultivation of his mind in Greece, Italy, and Gaul, making his way by use of his wits, as Goldsmith did long afterwards when he started, at the outset also of his career as a writer, on a grand tour of the continent with nothing in his pocket. Lucian earned as he went by public use of his skill as a rhetorician. His travel was not unlike the modern American lecturing tour, made also for the money it may bring and for the new experience acquired by it.
Lucian stayed long enough in Athens to acquire a mastery of Attic Greek, and his public discourses could not have been without full seasoning of Attic salt. In Italy and Gaul his success brought him money beyond his present needs, and he went back to Samosata, when about forty years old, able to choose and follow his own course in life.
He then ceased to be a professional talker, and became a writer, bold and witty, against everything that seemed to him to want foundation for the honour that it claimed. He attacked the gods of Greece, and the whole system of mythology, when, in its second century, the Christian Church was ready to replace the forms of heathen worship. He laughed at the philosophers, confounding together in one censure deep conviction with shallow convention. His vigorous winnowing sent chaff to the winds, but not without some scattering of wheat.
Delight in the power of satire leads always to some excess in its use. But if the power be used honestly-and even if it be used recklessly-no truth can be destroyed. Only the reckless use of it breeds in minds of the feebler sort mere pleasure in ridicule, that weakens them as helpers in the real work of the world, and in that way tends to retard the forward movement. But on the whole, ridicule adds more vigour to the strong than it takes from the weak, and has its use even when levelled against what is good and true. In its own way it is a test of truth, and may be fearlessly applied to it as jewellers use nitric acid to try gold. If it be uttered for gold and is not gold, let it perish; but if it be true, it will stand trial.
Men interested in athletics and in the care of their bodies think not only of condition and exercise but also of relaxation in season; in fact, they consider this the principal part of training. In like manner students, I think, after much reading of serious works may profitably relax their minds and put them in better trim for future labour. It would be appropriate recreation for them if they were to take up the sort of reading that, instead of affording just pure amusement based on wit and humour, also boasts a little food for thought that the Muses would not altogether spurn; and I think they will consider the present work something of the kind.
They will find it enticing not only for the novelty of its subject, for the humour of its plan and because I tell all kinds of lies in a plausible and specious way, but also because everything in my story is a more or less comical parody of one or another of the poets, historians and philosophers of old, who have written much that smacks of miracles and fables. I would cite them by name, were it not that you yourself will recognise them from your reading. One of them is Ctesias, son of Ctesiochus, of Cnidos, who wrote a great deal about India and its characteristics that he had never seen himself nor heard from anyone else with a reputation for truthfulness.
Iambulus also wrote much that was strange about the countries in the great sea: he made up a falsehood that is patent to everybody, but wrote a story that is not uninteresting for all that. Many others, with the same intent, have written about imaginary travels and journeys of theirs, telling of huge beasts, cruel men and strange ways of living. Their guide and instructor in this sort of charlatanry is Homer's Odysseus, who tells Alcinous and his court about winds in bondage, one-eyed men, cannibals and savages; also about animals with many heads, and transformations of his comrades wrought with drugs.
This stuff, and much more like it, is what our friend humbugged the illiterate Phaeacians with! Well, on reading all these authors, I did not find much fault with them for their lying, as I saw that this was already a common practice even among men who profess philosophy. I did wonder, though, that they thought that they could write untruths and not get caught at it. Therefore, as I myself, thanks to my vanity, was eager to hand something down to posterity, that I might not be the only one excluded from the privileges of poetic licence, and as I had nothing true to tell, not having had any adventures of significance, I took to lying. But my lying is far more honest than theirs, for though I tell the truth in nothing else, I shall at least be truthful in saying that I am a liar. I think I can escape the censure of the world by my own admission that I am not telling a word of truth. Be it understood, then, that I am writing about things which I have neither seen nor had to do with nor learned from others--which, in fact, do not exist at all and, in the nature of things, cannot exist. Therefore my readers should on no account believe in them.
Once upon a time, setting out from the Pillars of Hercules and heading for the western ocean with a fair wind, I went a-voyaging. The motive and purpose of my journey lay in my intellectual activity and desire for adventure, and in my wish to find out what the end of the ocean was, and who the people were that lived on the other side. On this account I put aboard a good store of provisions, stowed water enough, enlisted in the venture fifty of my acquaintances who were like-minded with myself, got together also a great quantity of arms, shipped the best sailing-master to be had at a big inducement, and put my boat--she was a pinnace--in trim for a long and difficult voyage.
Well, for a day and a night we sailed before the wind without making very much offing, as land was still dimly in sight; but at sunrise on the second day the wind freshened, the sea rose, darkness came on, and before we knew it we could no longer even get our canvas in. Committing ourselves to the gale and giving up, we drove for seventy-nine days. On the eightieth day, however, the sun came out suddenly and at no great distance we saw a high, wooded island ringed about with sounding surf, which, however, was not rough, as already the worst of the storm was abating.
135+ pages - 8¼ x 5¼, softcover