Historical Reprints Fiction Rover's Secret

Rover's Secret

Rover's Secret
Catalog # SKU2353
Publisher TGS Publishing
Weight 1.00 lbs
Author Name Harry Collingwood


The Rover's Secret

Harry Collingwood

The romance of the era of pirates continues to draw our curiousity. Yet, this history, like the wild, wild, west of Texas lasted but a short time. Read from the early stories about pirates that captured our imagination. Great for children! Originally published in 1888.



My father-Cuthbert Lascelles-was the great painter who, under a pseudonym which I need not mention here, was a few years ago well known in the world of art, and whose works are now to be found enshrined in some of the noblest public and private collections both at home and abroad.

He was a tall and singularly handsome man; with clear grey eyes, and a stern resolute-looking mouth shadowed by a heavy moustache which, like his short curly hair and carefully trimmed beard, was of a pale golden tint.

My mother died in giving me birth; and this, together with the fact that she was a native of Italy, was all I, for some years, knew concerning her.

One of the earliest impressions made upon my infant mind-for I cannot recall the time when I was free from it-was that my parents suffered great unhappiness during the latter part of their short married life; unhappiness resulting from some terrible mistake on the part of one or the other of them; which mistake was never explained and rectified-if explanation and rectification were indeed possible-during my mother's lifetime.

Having received this impression at so very early an age, I cannot, of course, say with certainty whence I derived it; but I am inclined to attribute it chiefly to the singularity of my father's conduct toward myself.

I was his only child.

He was a man to whom solitude and retirement appeared to be the chief essentials of existence. Though living in London, he very rarely mingled in society, yet I have since heard that he always met with a most cordial welcome when he did so-and it was seldom indeed that his studio doors unfolded to admit anyone but their master. If he went into the country, as of course was often the case, in search of subjects, he never by any chance happened to be going in the same direction as any of his brethren of the brush; his destination was invariably some wild spot, unfrequented-possibly even unknown-alike by painter and tourist. And there-if undisturbed-he would remain, diligently working all day in the open air during favourable weather; and, when the elements were unpropitious for work, taking long walks over solitary heaths and desolate mountain sides, or along the lonely shore. And when the first snows of winter came, reminding him that it was time to turn his face homeward once more, he would pack up his paraphernalia and return to town, laden with studies of skies and seas, of barren moorland, rocky crag, and foaming mountain torrent which provoked alike the envy and the admiration of his brother artists.

It will naturally be supposed that, to a man of such solitary habits as these, the society of his only child would be an unspeakable comfort. But, with my father, this did not appear to be by any means the case. He never took me out of town with him on his annual pilgrimage to the country; and, when he was at home, it often happened that I did not see him, face to face, for weeks together. As a consequence of this peculiar arrangement, almost the whole of the time which I spent indoors was passed in the nursery, where also my meals were served, and wherein my only companion was Mary, the nursemaid.

The only exceptions to this isolated state of existence were those rare occasions when my father, without the slightest warning, and apparently with as little reason, used to send for me to visit him in his studio. It was during these interviews that his peculiar treatment of me became most noticeable. As a general rule, when-after a vigorous cleansing of my face and hands and a change of my raiment had been effected by the nursemaid-I was introduced into the studio, my father would ensconce me in a roomy old easy-chair by the fire; provide me with a picture-book of some kind wherewith to amuse myself; and then take no further notice of me. This, however, seemed to depend to some extent upon the greeting which I received from him, and that proved to be a tolerably accurate index of the humour which happened to possess him at the moment. Sometimes the greeting would consist of a cold shake of the hand and an equally cold "I hope you are well, boy," accompanied by a single keen glance which seemed at once to take in every detail of my person and clothing. Sometimes the shake of the hand would be somewhat warmer, the accompanying remark being, perhaps, "I am glad to see you looking so well, my boy."

And occasionally-but very rarely-I was agreeably surprised to find myself received with an affectionate embrace and kiss-which I always somewhat timidly returned-and the words, "Lionel, my son, how are you?"

380+ pages - 8¼ X 6¾ softcover

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