Mythology

Charles Fort was a crank in the best sense of the word. Lovecraft and the X-files can't begin to compete with the spooky stuff he uncovered. In the early twentieth century he put together great quantities of exhaustively documented 'puzzling evidence', data which science is unable or unwilling to explain. (Large Print Edition)

THE science of Heraldry has faithfully preserved to modern times various phases of some of those remarkable legends, which, based upon a study of natural phenomena, exhibit the process whereby the greater part of mythology has come into existence.

When Edwin Sidney Hartland published his book, The Science of Fairy Tales, in 1891, little did he realize the impact his research into the myths and folklore of the supernatural world of the little folk would have for many generations afterwards.

The silent years of Jesus between 12 and 30 and an examination of the historical records concerning Joseph of Arimathea the great uncle of Jesus as a provencial Roman Senator and metal merchant. It was rumored that he owned many of the merchant ships that came to these Isle of the West from Rome and Phoenicia to barter for metal and other goods.

Through Ancient Eyes explores how art is a metaphysical activity, while illustrating the art and soul connections that have existed since ancient times. Drawing on a wealth of information, which includes prehistoric art and prophecy, through to the work of William Blake - this fascinating book unlocks ancient wisdom that has inspired artists from all ages.

Tempest & Exodus describes the dramatic discovery of large biblical quotation on an ancient Egyptian stele. When compared to the biblical equivalent the text appears to be two separate accounts, from both the Egyptian and the Israelite perspective, of a conference in Egypt discussing the way in which the biblical exodus should be organised.

The first tale of Khamuas is remarkable from every point of view. It is one of the finest works of imagination that Egypt has bequeathed to us; it belongs to the best period of demotic writing, when the script was at once full and expressive yet free from corruptions and superfluities, and the existing copy contains very few mistakes.