Of that golden chain of philosophers, who, having themselves happily penetrated, luminously unfolded to others the profundities of the philosophy of Plato, Proclus is indisputably the largest and most refulgent link.
APOLLODORUS, who repeats to his companion the dialogue which he had heard from Aristodemus, and had already once narrated to Glaucon; Phaedrus; Pausanias; Eryximachus; Aristophanes; Agathon; Socrates; Alcibiades; A Troop of Revellers.
There is not a fragment of Sappho that is not surrounded in the mind of the reader by the rainbow of suggestion.
A professional look at the erotic sources of ancient literature.
Quotes from Shakespeare's works assigned to predictions and character traits.
The principal character of the novel which the reader is about to have under his eyes is a woman, a courtesan of antiquity; but let him take heart of grace: she will not be converted in the end. She will be loved neither by a saint, nor by a prophet, nor by a god. In the literature of to-day this is a novelty.
"Marriage is not an institution of nature. The family in the east is entirely different from the family in the west. Man is the servant of nature, and the institutions of society are grafts, not spontaneous growths of nature. Laws are made to suit manners, and manners vary. Marriage must therefore undergo the gradual development towards perfection to which all human affairs submit."
This famous and marvellous Sanskrit poem occurs as an episode of the Mahabharata, in the sixth--or "Bhishma"--Parva of the great Hindoo epic. It enjoys immense popularity and authority in India, where it is reckoned as one of the "Five Jewels,"--pancharatnani--of Devanagiri literature.
It is from the authentic text furnished by M. Le Roux de Lincy that the present translation has been made, without the slightest suppression or abridgment. The work moreover contains all the more valuable notes to be found in the best French editions of the Heptameron, as well as numerous others from original sources, and includes a résumé of the various suggestions made by MM. Félix Frank, Le Roux de Lincy, Paul Lacroix, and A. de Montaiglon, towards the identification of the narrators of the stories, and the principal actors in them, with well-known personages of the time. An Essay on the Heptameron from the pen of Mr. George Saintsbury, M.A., and a Life of Queen Margaret, are also given, as well as the quaint Prefaces of the earlier French versions; and a complete bibliographical summary of the various editions which have issued from the press.
It was somewhere, I think, towards the autumn of the year 1889 that the thought occurred to me that I might perhaps try to write a little in the modern way. For, hitherto, I had been, as it were, wearing costume in literature.
It was somewhere, I think, towards the autumn of the year 1889 that the thought occurred to me that I might perhaps try to write a little in the modern way. For, hitherto, I had been, as it were, wearing costume in literature.
After two years we are turning once more to the morning's news with a sense of appetite and glad expectation. There were thrills at the beginning of the war; the thrill of horror and of a doom that seemed at once incredible and certain; this was when Namur fell and the German host swelled like a flood over the French fields, and drew very near to the walls of Paris.
One night a year or so ago I was the guest of a famous literary society. This society, or club, it is well known, believes in celebrating literature-and all sorts of other things-in a thoroughly agreeable and human fashion. It meets not in any gloomy hall or lecture room, it has no gritty apparatus of blackboard, chalk, and bleared water-bottle.
Some years ago I met my old master, Sir Frank Benson-he was Mr. F. R. Benson then-and he asked me in his friendly way what I had been doing lately. "I am just finishing a book," I replied, "a book that everybody will hate."
It was my privilege, many years ago, to make the acquaintance of the obscure literary hermit, whose talk I have tried to reproduce in the pages that follow.