This standard for works of earlier date than 1526 is furnished by the following pages, which contain an alphabetical inventory of every word found in the printed English literature of the 13th century. As, however, a mere index verborum would but inadequately fulfil its object, a certain amount of explanatory and etymological matter has been added, which it is hoped may render the work more generally interesting and useful than could otherwise have been the case.
One night a year or so ago I was the guest of a famous literary society. This society, or club, it is well known, believes in celebrating literature-and all sorts of other things-in a thoroughly agreeable and human fashion. It meets not in any gloomy hall or lecture room, it has no gritty apparatus of blackboard, chalk, and bleared water-bottle.
The famous legend as told by Homer in a rare tri-partite translation.
After two years we are turning once more to the morning's news with a sense of appetite and glad expectation. There were thrills at the beginning of the war; the thrill of horror and of a doom that seemed at once incredible and certain; this was when Namur fell and the German host swelled like a flood over the French fields, and drew very near to the walls of Paris.
The passionate love with which the Nahuas cultivated song, music and the dance is a subject of frequent comment by the historians of Mexico. These arts are invariably mentioned as prominent features of the aboriginal civilization; no public ceremony was complete without them; they were indispensable in the religious services held in the temples; through their assistance the sacred and historical traditions were preserved; and the entertainments of individuals received their chief lustre and charm from their association with these arts.
A study into the lives to two mysterious figures in history, whose paths crossed more than once. The men are as distinct as two side of a metal coin, when one is seen the other invisible.
It was somewhere, I think, towards the autumn of the year 1889 that the thought occurred to me that I might perhaps try to write a little in the modern way. For, hitherto, I had been, as it were, wearing costume in literature.
It was somewhere, I think, towards the autumn of the year 1889 that the thought occurred to me that I might perhaps try to write a little in the modern way. For, hitherto, I had been, as it were, wearing costume in literature.
The modes of ancient Greek music are of interest to us, not only as the forms under which the Fine Art of Music was developed by a people of extraordinary artistic capability, but also on account of the peculiar ethical influence ascribed to them by the greatest ancient philosophers. It appears from a well-known passage in the Republic of Plato, as well as from many other references, that in ancient Greece there were certain kinds or forms of music, which were known by national or tribal names-Dorian, Ionian, Phrygian, Lydian and the like...
Some years ago I met my old master, Sir Frank Benson-he was Mr. F. R. Benson then-and he asked me in his friendly way what I had been doing lately. "I am just finishing a book," I replied, "a book that everybody will hate."
A TGS reprint from a magazine style article of the 1800s. Jane Austin, a widely published author, was a frequent visitor of Orchard House, where Louisa May Alcott lived. She and Louisa often wrote together.Both authors deviated from their standard popular fiction to write lurid tales of gothic romance, mystery and horror.
Plato, unfolding the knowledge of eternal being, calls it at first intelligence, but he also conjoins with intelligence reason. For, when reason understands perpetual being, as reason it energizes transitively, but as perceiving intellectually it energizes with simplicity, understands each particular so far as simple at once, but not all things at once, but passing from one to another, at the same time intellectually perceiving every thing which it transitively sees, as one and simple.
A study into the methods and style of Da Vinci's drawings and art.
It was my privilege, many years ago, to make the acquaintance of the obscure literary hermit, whose talk I have tried to reproduce in the pages that follow.
He has put into it along with a charming fancy his genialness and depth of spirit, his ideas on the influence of art and the importance of love, in an exceptional social milieu. This agreeable day-dream is vigorously thought out. On reading it we fancy we are again seeing and hearing Tarde. In order to indulge in a repetition of the illusion, a pious friendship has desired to clothe this fascinating work in an appropriate dress.